The relationships between MIRABAUD MERCIER and the buyer are subject to the present Sale Conditions which can be modified by saleroom notices or oral indications given at the time of the sale, which will be recorded in the official sale record. In such capacity it acts as the agent of the seller who contracts with the buyer. MIRABAUD MERCIER is a company of voluntary auction sales regulated by the law of July 10th 2000. Theįrench language version of the Sales Conditions On any bidder or buyer shall be submitted to theĮxclusive jurisdiction of the Courts of France. Any dispute relating to theirĮxistence, their validity and their binding effect These Conditions of purchase are governed byįrench law exclusively. Void, the others shall remain valid and applicable. Should a clause whatsoever be found null and The clauses of these generalĬonditions of purchase are independent from each MIRABAUD-MERCIER declines liability for lots Uncollected property will be stored at the costs, Property shall be transferred to the purchaser, whoĪssumes immediate responsibility for insurance.
Will help arrange shipment, at buyer's expense.ģ.
If the buyer has no carrier, MIRABAUD-MERCIER “We just went with it and we just tried to have a good time, because we thought if we had a good time maybe the audience will too.1 Picking of the lots by appointement from June 24Ģ019 contact 00 33 (0)1 53 30 90 30 - 174, rue duįaubourg Saint Honoré - 75008 Paris - France How is your film different from the rest? You’re in a totally different world and you just have to roll with it.”ĩ. Something I like about it is that it’s not predictable. “The audience can express some surprising twists and cameos. What can your audience expect to get out of the film? “You are what you make yourself, age doesn’t matter, and the only limitations you have are the ones you accept.”Ĩ. There’s a purpose for you making this.”ħ. My favorite part was challenging myself to really get it done because you have more than yourself to keep accountable. “My favorite part was going through the film beginning to end. What was your favorite part about the creative process? One day we needed an extra so my brother got in it.”Ħ. Mark was originally not going to play it, but we couldn’t find anyone else that really worked for it. With Gretchen it was never a question, we couldn’t picture anyone else for it. Our main villain had a lot of rehearsals, we won’t back and forth with a lot of people, but he read through some of the stuff and it worked so much better than we thought it was going to. The editing process was just a lot of looking at the different takes, figuring out which looked best, lot of adjustments to lightings, trying to find the right music it felt like I was just hanging out with my friends.”ĥ. We just tried a lot of things out and it was really interesting having some producers act and film at the same time. “The filming process is really fun, we had a lot of improv actors. Can you describe the filming/editing process? “We were all just brainstorming in my kitchen one night, then Mark Kemp came up with the idea of a mob boss and pasta and then from there it just snowballed.”Ĥ. “Make things happen for yourself, and making your destiny work for you.”ģ. She realized that the person in charge of the Mafia is awful and doing things really badly, so she wants to take it over to do it right.” “This girl who’s from a long line of people who are in charge of the Mafia, but it’s a pasta mafia pasta is illegal. Producers: Abeer Khan, Mark Kemp, Elena Nasser
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